Staff Picks: The 7 Tracks You Need to Hear

Kehlani — KEHLANI

Following up the experimental waves of 2024’s Crash, Kehlani returns with a brilliant, grounded self-titled album that reclaims their narrative. Anchored by the undeniably infectious focus track “Pocket” (featuring Cardi B) and the stunning USHER collaboration “Shoulda Never,” the project is a masterclass in modern R&B versatility. It’s an assertive, lush statement from an artist fully in their element.

Ebony Riley — Beautiful Tragedy

Detroit-born contemporary R&B force Ebony Riley has officially delivered her debut album, Beautiful Tragedy. A deeply self-revealing body of work, the project sees Riley moving past expectations to step fully into her truth. “I had to be more intentional about speaking life into myself,” Riley shared about the release. From the introspective depths of “Otherside” to the undeniable confidence of “You Better Know” (featuring Skilla Baby) and the lush “Blossom Up,” the album balances classic sensibilities with a fiercely modern edge.

Joya Mooi — All The Things (EP)

Nominated for the Edison Prize, Dutch-South African artist Joya Mooi turns inward for her beautifully crafted new EP, All The Things. Processing a transformative year, Mooi navigates jealousy, grief, and security with nuance and grace. A clear standout is “Only Water” featuring Lady Donli. Built on warm basslines and layered harmonies, the track serves as a ritual of resurfacing, inspired by resilience and healing. It is neo-soul at its most emotionally considered.

Latto & GloRilla — “GOMF”

The Southern heavyweights reunite for an absolute knockout. Sampling Soulja Boy’s nostalgic 2007 hit “Yahhh!”, “GOMF” is a high-energy, unapologetic clapback at naysayers and timeline rumors. Latto and Glo tag-team the chorus with effortless swagger, setting the tone for Latto’s upcoming Big Mama era.

Prince — “With This Tear”

On the 10th anniversary of his passing, NPG Records has opened the vault to share a previously unreleased 1991 studio recording born at Paisley Park. Originally gifted to Celine Dion, Prince’s solo rendition is a masterful, intimate piano ballad that reminds us of his unparalleled genius as a producer, arranger, and vocalist.

Shaboozey — “Born To Die”

Shaboozey continues to bend genres to his will. “Born To Die” is a gripping, cinematic offering that perfectly blends his alternative country and hip-hop sensibilities into a striking narrative.

J. Howell — “Drunk N Drive”

J. Howell brings his signature raw, impassioned vocals to “Drunk N Drive.” It’s a moody, intoxicating R&B cut that captures the reckless feeling of late-night longing.

Paradise — “Predictable”

Paradise delivers an infectious, undeniable groove with “Predictable.” It’s an essential addition to any curated rotation, blending smooth production with razor-sharp lyrical delivery.

In Rotation: Pick of the Week:

“Deity” by Neila

On her latest single, "Deity," Neila transforms self-empowerment into a high-vibrational sonic ritual. The record is a masterclass in sensuality, designed as an immersive experience for listeners to reclaim their power and step fully into their divine feminine energy. Anchored by the edgy, soulful guitar work of Spree Wilson, the track’s brilliance lies in its intentionality weaving healing frequencies throughout the production to create a soundscape that is as therapeutic as it is confident. With "Deity," Neila delivers a lush, spellbinding anthem that invites you to embody your inner goddess and vibrate higher.

Add these essential cuts to your rotation immediately:

• Genia — Doomsday

• Breez Kennedy — Taste

• Akon, Tears of Joy — LET YOU GO

• mgk, Fred Durst — FIX UR FACE

• Kim Petras — Need For Speed

• Emma Jayne — Marty

• Derrius Logan — baecation.

• Elena — Broken Shore

• Mila Smith — Cake

• Jai’Len Josey — This Time Around

• Demi Lovato — Ghost

• Nobdy — Hey Joseline!

• YDE — Mine Følelser er fucked

• Infinity Song — One Foot Out

• Angélique Kidjo, Pharrell Williams & Quavo — Bando

• Ella Rosa — Oxytocin

• Junetober — So Natural

• Jalisa Rey — Tonight

• Keenan TreVon — She Goes By Denver

• Jai’Len Josey — Lose Somebody

• Kennedy Ryon — I’m not leavin’ him

• Brianna Castro — rolling stone

• Omarion — The One

• Otis Kane — Heaven

• JAAS — Make This Count

• Byron Juane — I Hate Luving U

• Girlfriend, Jaymin — All U Need

• Flau’jae — WOAH

• SYLO — City Lights

• Jay Wood, Chenaniah — FIRST TIME

• Darren Waller — Baron Davis

• Yung Miami — Spend Dat

• Aleebi — LIKETHAT

• BunnaB — Best Bitch

• Isaiah Falls — BACK IN MY ARMS

• Mikhalé Jones & Kashcpt — Morals

• LG Malique & Dess Dior — Mona Lisa

• Icewear Vezzo & Rio Da Yung Og — Pink Candy

• Action Bronson, Paul Wall, Lil Yachty — TRICERATOPS

To dive deeper into these curated collections, head over to Audiomack. Whether you’re sinking into the smooth, melodic flows of Liquid Vibes, catching the undeniable heat of The A-List, or taking a moment for yourself with The Check In, we’ve got your soundtrack covered. Tap in and stay connected.

After weeks of the track being serviced early to an exclusive circle of DJs and underground clubs, sending demand into a literal overdrive, Madonna has officially unleashed “I Feel So Free.” Produced alongside long-time collaborator Stuart Price, the track is a pulsating, high-octane reminder of Madonna’s unparalleled grip on electronic music.

This isn’t just a standalone single; it is the first taste of what’s to come from her forthcoming album, “Confessions II”, the direct successor to her 2005 magnum opus, Confessions on a Dance Floor. While “I Feel So Free” sets the stage, the official lead single is still tucked away, waiting to dominate the charts this summer.

To accompany the track’s release, Madonna has shared a trancelike visualizer that mirrors the song’s hypnotic energy. It’s an immersive, psychedelic trip that perfectly captures the “free” essence of this new era.

The momentum doesn’t stop in Indio. Earlier this week, it was confirmed that the full-length journey, “Confessions II”, is set to arrive on July 3rd. For the collectors and the purists, the rollout includes an expansive curation of vinyl, CDs, and even cassette offerings, ensuring the album is experienced in every texture imaginable.

If her Coachella cameo is any indication, Madonna isn’t just returning to the dance floor… she’s rebuilding it.

Staff Picks: The 7 Tracks You Need to Hear

Here are the seven editor’s picks leading the pack, plus a roundup of the high-impact singles you need on your radar.

“Still Got That Good Love” — Keith Sweat

Put some respect on his name. Uncle Keith is back to remind everybody how real R&B is supposed to feel. This track is pure, unadulterated mood music—grab a glass of something dark and let it play.

“Numb” — JT

JT didn’t come to play; she came to collect. “Numb” is a certified street banger packed with the kind of slick talk and boss-level confidence that proves why she’s one of the hardest-hitting voices in the game right now.

“Superbloom” — Jessie Ware

Taking us straight back to the days of Paradise Garage and classic dance-floor soul, Ware delivers a vibrant, bass-slapping groove. It’s pure joy wrapped up in a flawless disco-pop package. This is just a pinnacle of what she brings to her latest album, Superbloom.

“living by the window” — kidstrange

For the late-night drives when you just need to zone out. kidstrange delivers a moody, alternative R&B vibe that feels deeply personal, pairing hazy production with lyrics that hit right in the chest. Experience the full mood on his new album, living by the window.

“ctrl escape” — John Summit

For the late-night massive. Summit drops a relentless, hypnotic house beat that bridges the gap between underground raves and mainstream dance floors. Expect to hear this in every DJ set this weekend. Press play on CTRL Escape to keep the beat going.

“Superhero” — Kaleb Mitchell

Pure adrenaline. Mitchell steps up with an elite lyrical performance, riding a beat that feels bigger than life. It’s an energetic, triumphant record that belongs on your gym playlist immediately.

“Rent Free” — Alexia Jayy and Eric Gales

Soul music in its purest form. Alexia Jayy’s vocals soar with gospel-level intensity, while Eric Gales lays down the kind of crying blues guitar riffs that make you scrunch your face up. A breathtaking collaboration.

In Rotation: Pick of the Week:

“Catching Feelings (Remix)” by Annie Tracy

There is a raw, lived-in quality to Annie Tracy’s music that cuts through the noise of the digital age, and her latest offering, the “Catching Feelings (Remix),” is a masterclass in modern soul-pop intimacy. Partnering with the exceptionally talented Leon Thomas, Tracy reimagines her standout single as an expansive dialogue that captures the quiet tension and sudden thrill of falling in love in real time. Following the critical success of her Scared of Heights EP, this remix serves as a bridge between her indie-soul roots and a polished, genre-blurring future. Tracy’s rare ability to translate the hyper-personal into the universally resonant has garnered her praise from industry greats, signaling the arrival of a songwriter who prioritizes honesty above all else. As her harmonies intertwine with Thomas’ magnetic vocals, it becomes clear that Tracy is defining the emotional pulse of a new generation.

In The Cut: More From The Archive

Keep the vibes going with these essential tracks rounding out our playlist:

• “N.Y.F.F.”, Jessie Reyez

• “A Little Like You”, Dylan Conrique

• “Romeo Spider”, SEÏTOU

• “Pull Over”, Ludacris

• “Don’t You Know Who I Am?”, Jessie Ware

• “Middle of Nowhere”, Kacey Musgraves

• “I Found Out (Nobody Knows)”, Phillip-Michael Scales

• “Low Rise Jeans”, Demi Lovato

• “5th Element”, ZAYN

• “SHE DID IT AGAIN”, Tyla feat. Zara Larsson

• “SHADOWS”, John Summit, LAVINIA

• “HD”, JRDN

• “Out Of Your Mind”, Ava Max

• “Projections”, EB3N

• “Ain’t That Somethin’”, Suzanne Sheer

• “Wander”, ANLIL

• “Met Tonight”, ZAYN

• “My Shhh”, Donelle Valentine and Swave HMG

• “Hijacked”, Marques Houston

• “SINGLE”, TEEDRA MOSES

• “Catching Feelings (feat. Leon Thomas) [Remix]”, Annie Tracy

• “Side Effects”, ZAYN

• “In This Lifetime”, LoSmoothe

To dive deeper into these curated collections, head over to Audiomack. Whether you’re sinking into the smooth, melodic flows of Liquid Vibes, catching the undeniable heat of The A-List, or taking a moment for yourself with The Check In, we’ve got your soundtrack covered. Tap in and stay connected.

She has undoubtedly burned through mainstream goodwill over the last half-decade with her unfiltered internet presence. The simultaneous drop of this album with the second wave of her OHMNI "protective clothing" line (boasting copper mesh to block 10G cell waves) feels like peak eccentric M.I.A. Yet, when you strip away the tinfoil-hat narrative, what remains is an artist finally free from major-label interference. M.I. 7 replaces the chaotic, sample-heavy maximalism of her past with something remarkably grounded. It is a record performed as if it were her last, swapping out aggressive posturing for profound, vulnerable devotion. She isn't shouting at the government anymore; she is looking directly at the sky.

To understand the weight of M.I. 7, one must trace the dizzying commercial and critical arc of M.I.A.’s career.

Arular shattered boundaries by blending global bass, dancehall, and hip-hop. Its follow-up, Kala, birthed the inescapable commercial juggernaut "Paper Planes," peaking at No. 4 on the Billboard Hot 100 and cementing her as a vanguard of the 2000s. Maya was a harsh, industrial pivot. Critics balked at its abrasive anti-surveillance themes, but retrospectively, it was a decade ahead of its time—a direct precursor to the hyperpop and industrial rap of today. Matangi course-corrected slightly, infusing her sound with Hindu spirituality and critically acclaimed cuts like "Bad Girls." Both AIM and MATA felt like records made by an artist wrestling with the confines of a shifting music industry. While MATA offered flashes of brilliance, she felt stifled by the traditional rollout machine.

M.I. 7 represents total sovereignty. By self-releasing via OHMNIMUSIC, she is no longer playing the streaming-algorithm game. This is the sound of an artist who has survived the machine and is now building her own ecosystem.

M.I. 7 is not a gospel album in genre, but in spirit. The track list is brilliantly stitched together by seven instrumental interludes titled "TRUMPET 1" through "TRUMPET 7" representing the seven trumpets of the apocalypse in the Book of Revelation. It is a bold, conceptual framework that pays off in its execution. The album’s lead single, "Everything," is a radiant standout. Backed by a driving, hypnotic beat, M.I.A. delivers a direct testimony of grace, eschewing irony for earnestness:

"All of my love, all of my praise / All of my life and all of my grace / He showed me his face, met me in every place / He led me out the dark of every single maze."

The presence of the Sunday Service Choir on tracks like "JESUS" and "CALLING" elevates the record from an isolated studio experiment into a communal, transcendent experience. "CALLING" specifically channels the vocal prowess and singular production instinct she has been lauded for, while "SACRED HEART (feat. Kala)" offers a striking, intimate moment of ancestral reflection. The album boldly closes with "30 MINUTES OF SILENCE," a literal half-hour track of quiet, a radical, meditative palate cleanser demanding the listener unplug in an era of over-stimulation.

While the lyrical scope is firmly anchored in Christian theology, the sonic landscape is universally compelling. M.I.A. proves that even when she pivots away from the club to the choir, her ear for boundary-pushing production remains unmatched. M.I. 7 is challenging, occasionally bizarre, but ultimately brilliant.

Teasing the release, Madonna unveiled a mesmerizing, trancelike visual, offering a glimpse into the hypnotic universe she is building. It is a universe where physical movement transcends the spoken word. Fans can also secure a piece of this era’s striking visual identity through a curated selection of expansive vinyl and physical formats.

Rather than a simple collection of club tracks, Madonna frames Confessions II as a profound meditation on human connection. Quoting her upcoming track “One Step Away,” she notes, “People think that dance music is superficial, but they’ve got it all wrong. The dance floor is not just a place, it’s a threshold: A ritualistic space where movement replaces language.”

Reuniting with longtime collaborator Stuart Price, Madonna penned a manifesto for the record that feels both deeply intimate and fiercely liberating:

“We must dance, celebrate, and pray with our bodies. After all, the dance floor is a ritualistic space. It’s a place where you connect—with your wounds, with your fragility... Sound, light, and vibration reshape our perceptions, pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

In an increasingly disconnected world, Madonna is inviting us all to shed our egos, confront our fragilities, and find salvation under the strobe lights.

The set was a brilliant collision of the past and the future. Longtime fans were treated to euphoric, earth-shaking renditions of defining pop anthems like “Lean On” and “Cold Water.” Then, in a moment of pure, unexpected pop history, M.I.A. materialized on stage. Performing the Diplo-produced “Paper Planes” together for the first time in over a decade and a half, the duo reignited the subversive spark that made the track a generation-defining classic.

“Performing ‘Paper Planes’ together for the first time in over a decade and a half, the duo reignited the subversive spark that made the track a generation-defining classic.”

Yet, the beating heart of the night belonged to the future. Coachella served as the fiery live introduction of America Foster, Major Lazer’s newest member. Fresh off her star-making turns on the acclaimed 2025 GYALGEBRA mixtape, Foster commanded the stage with raw, electrifying freestyles that proved the group’s new era is their most vital yet. Supported by kinetic choreography from Sara Bivens and Calvit Hodge, and framed by Mike Carson’s visionary set design, the collective looked unstoppably revitalized.

With imminent appearances at Bonnaroo and Governors Ball—their first in nearly a decade—Major Lazer isn’t just back; they are reborn.

Catch Major Lazer on the Road:

• April 19 — Coachella — Indio, CA

• June 6 — The Governors Ball — Queens, NY

• June 12 — Bonnaroo — Manchester, TN

• June 26 — Garorock — Marmande, FR

• June 27 — Solidays — Paris, FR

• June 28 — Förbindelsehallen — Johanneshov, SE

• July 5 — Stern Grove Festival — San Francisco, CA

• July 31 — Lollapalooza — Chicago, IL

• August 2 — Osheaga Music and Arts Festival — Montréal, QC

• August 15 — Bittersweet Festival — Poznań, PL

• August 18 — Rototom Sunsplash — Benicasim, ES

• August 21 — Pukkelpop Festival — Hasselt, BL

• August 21 - 23 — Lowlands Festival — Biddinghuizen, NL

Staff Picks: The 7 Tracks You Need to Hear

She’s A Sweetheart — Momo Boyd and Infinity Song

A masterclass in vocal harmony and soft-hued production, this collaboration feels like a warm embrace. Infinity Song continues to prove why they are the leaders of the soft-rock and soul renaissance. More can be found on her soo debut Miss Michigan.

“A gentle reminder of the power of kindness in an industry that often feels cold. This track is pure sunshine.”

Pinky Up — KATSEYE

The global girl group is back with a chic, high-energy anthem that demands attention. “PINKY UP” is a sharp, polished pop record that blends infectious hooks with an undeniable attitude, marking their territory in the current landscape.

“KATSEYE is delivering the kind of high-concept pop we’ve been craving. It’s sophisticated, playful, and incredibly catchy.”

Mr. Know It All — Teddy Swims

Teddy Swims’ ability to bridge the gap between soulful grit and pop sensibility remains unmatched. On “Mr. Know It All,” he navigates the complexities of ego and heartbreak with his signature powerhouse vocals.

“Swims doesn’t just sing a song; he lives it. This is raw, unfiltered storytelling at its finest.”

Back and Forth — Kehlani, Missy Elliott

When a modern R&B icon meets a legendary pioneer, the result is nothing short of magic. “Back and Forth” is a rhythmic, hypnotic journey that honors the genre’s roots while pushing it into the future.

“The chemistry here is electric. Kehlani and Missy are a duo we didn’t know we needed this badly.”

Goodbye — Jazlyn Martin

In a standout moment of vulnerability, Jazlyn Martin delivers a hauntingly beautiful farewell. The track leans into themes of personal growth and the necessity of letting go to find oneself.

“Martin’s crystalline vocals carry a weight beyond her years. ‘Goodbye’ is the anthem for anyone choosing themselves.”

Switching Sides — Annalise Azadian

Sultry, moody, and deeply atmospheric, Annalise Azadian explores the grey areas of loyalty and desire. The production is sparse but intentional, allowing her evocative delivery to take center stage.

“A late-night essential. Azadian has a way of making the most complex emotions feel accessible.”

Obvious — Chris Brown

Chris Brown returns to the smooth, melodic R&B that has defined his career. “Obvious” is a polished, mid-tempo track that highlights his vocal agility and effortless charm. This embarks on the announcement of his twelveth studio album Brown, arriving May 8th and joint tour with Usher.

“Classic Breezy. It’s the kind of record that feels like an instant staple for the summer.”

In Rotation: Pick of the Week:

‘There Is Magic In This Room’ by Nicole Han

Nicole Han has crafted something truly ethereal with her latest project, There Is Magic In This Room. It is a sprawling, immersive experience that feels more like a diary of the soul than a standard album. Han navigates the intersection of indie-pop and alternative folk with a grace that is rare in today’s fast-paced market.

The standout track “RUN!” serves as the project’s pulse, capturing the frantic yet beautiful energy of chasing one’s dreams. Throughout the project, Han’s production choices: lush strings, intimate acoustic guitars, and layered harmonies create a sonic world that lives up to the title. There is, indeed, magic in every corner of this room.

• Véyah, “Lickback”

• Kranium, “Daily Bread / (Money Prayer)”

• Qiuntellii, “Shotgun”

• rachel ruzumna, “Casanova”

• Skylar Grey, “Black n’ Blue”

• Charly Reynolds, “Stir the Pot”

• Myles Smith, “My Mess”

• Sarina, “PAPI”

• William Singe, “What Are We Calling This”

• Pitbull, “Work”

• IRMA, “Attention”

• charlieonnafriday, “Space”

• Johnny Drille, Ayra Starr, & Young Jonn, “Colorado”

• Jason Derulo ft. Kevin Gates, “Sexy For Me (Remix)”

• Cruz Beckham, “waste your pain”

• LIN D, “Priority”

• Chloe Jane, “Middle Man”

• M.I.A., “EVERYTHING”

• Junetober, “Would You”

• Isaia Huron, “propane” / “w.e.w”

• Brooke Combe, “Tears Won’t Lie”

• Saint Harison, “stuck”

• Romeyo Wilson, “Roses”

• Rob Milton & Kristen Lowe, “Chains”

• DESTIN CONRAD, “DIAMOND GOLD”

• Kenny Sharp & Dalona, “Limbo”

• Raye & Marlowe, “FREE”

• Tink, “Live & Learn” / “Bedrock (ft. Rob49)”

• Jony Shelby, “If Only You Knew”

• Casper Sage, “Change your mind”

• Felix Ames, “Fell Short, Spun Round”

• Kenyon Dixon, “Talk You Through It”

• FromJerome, “IF YOU CAME BACK”

• TANISHA, “Over & Over”

• Black Dre & NicoTheBurglar, “Bedroom on the Yacht”

• Qveen Herby, “Happy Healed Hoe”

• BunnaB, “WE BACK OUTSIDE”

• Kiran The Nomad, “SHIA”

• Ehubb, “Long As I Got You”

• Yung6ix & 6uff, “Bentley Riddim”

• Phora, “Sober For You”

• Buddy, “Don’t Rush”

• Snoop Dogg, “Stop Counting My Poccets”

• Galaxy Francis, Kenny Bureaux, & kyngstxnn, “NO VACANCY”

• Icewear Vezzo & Mello Buckzz, “I Like”

• Gucci Mane, “CRASH DUMMY”

• BossMan Dlow, “Naked Hustle”

• Rhyan Besco, “SMOKE, DRINK, F★”

• H3adband ft. DaBaby, “She Can Get It”

• AJ McQueen, “LOVE DON’T COST A THING”

• WAYNE WONDER & Blackie Yaad, “Fling It up (Remastered)”

• Blxst & Big Sad 1900 ft. Lori Perry, “Day After Day”

• Jaylon Ashaun, “Note 2 Self (Rough Draft)”

• DreamDoll, “Clockin It Freestyle”

• God Body Bingo ft. Rokmore, Heavy Crownz, $imba P, & JEFF K%NZ, “Countin’ Up (Remix)”

• Joe Trufant, “Need Nobody Else”

To dive deeper into these curated collections, head over to Audiomack. Whether you’re sinking into the smooth, melodic flows of Liquid Vibes, catching the undeniable heat of The A-List, or taking a moment for yourself with The Check In, we’ve got your soundtrack covered. Tap in and stay connected.

In Rotation: Pick of the Week

This Thing We Call Love — Thundercat and Channel Tres

When the undisputed king of the six-string bass meets the architect of modern house-rap, the groove is entirely undeniable. Thundercat and Channel Tres deliver a hypnotic, dance-floor-ready track that effortlessly bridges funk history with contemporary club culture. Plus dive into Thundercat’s latest album Distracted.

Staff Picks: The 9 Tracks You Need to Hear

Reputation — Ravyn Lenae, Dominic Fike

A flawless collision of worlds. Ravyn Lenae’s ethereal, sky-high vocals float perfectly over Dominic Fike’s indie-leaning, guitar-driven sensibilities, resulting in an alt-R&B crossover that demands to be played on a loop.

Heaven — Arlo Parks

Arlo Parks continues to prove why she is one of the most vital poets in modern music. “Heaven” is a lush, daydream-inducing arrangement where vulnerability takes center stage, wrapping the listener in pure sonic warmth. Expect more similar songs from her latest project Ambiguous Desire.

Rain On Me — India Shawn

India Shawn serves a masterclass in vocal control and emotional delivery. Rooted deeply in the golden era of R&B but polished for the modern palate, this track is a testament to her staying power as a vocal powerhouse.

Dramatic Girl — Baby Keem feat. Che Ecru

Moody, atmospheric, and highly cinematic. Baby Keem links up with Che Ecru for a late-night anthem that leans heavily into woozy R&B textures while keeping Keem’s signature unpredictable bounce intact. If this track is down your alley sync into Baby Keem’s latest album Ca$ino currently streaming.

GORRRILLA — TeaMarrr

Unapologetic and dripping with swagger. TeaMarrr brings her fierce, signature energy to a gritty production, proving once again that she refuses to be boxed into traditional genre constraints.

American Wedding — flowerovlove

A nostalgic indie-pop daydream. The young visionary flowerovlove captures the messy, vibrant energy of youth with infectious melodies that feel both timeless and incredibly urgent.

600 Racks — Meek Mill

High-octane and relentless. Meek Mill delivers the kind of street-certified, motivational heat that built his legacy, rapping with a hunger that proves he’s still aiming for the throne.

Wildfire — Lekan

A slow-burning, soulful offering that creeps up on you and refuses to let go. Apart of his new album For All The Right Reasons Vol. 1, Lekan strips away the excess, letting raw lyricism and vocal passion do all the heavy lifting.

I Like Boyz — Brooke Hogan, Vinny Venditto

A club-ready wildcard. Over Vinny Venditto’s pulsating production, Brooke Hogan returns after a musical hiatus and delivers an electric pop moment that doesn’t take itself too seriously, prioritizing pure, unadulterated fun.

The culture never stops moving, and neither does the music. Keep the vibrations going and make sure these essential tracks are loaded into your weekly rotation.

• B-DAY GIRL — Swavie, Flyy Armani, JLLY

• Dream Cheater — Precious Pepala

• MMC — Qasim

• Hall of Fame — Chxrry

• Fontainebleau — TheARTI$t

• Blind Traveling — Rayle

• Grand Avenue — Keenan TreVon

• Talk to Me — Sól

• Sky Diving — Xian Bell

• Venom — Olivia

• Threes — Leo Manzari

• Funny Friends — Thundercat and A$AP Rocky

• Need A Girl — Kyle Gee

• The Trippy Tapes Vol. 1 — Juicy J and DJ Scream

• SAY UR MINE — Swavie

• GIRLFRIEND — Tayc

• CHRÖME (feat. slayr) — Trim & slayr

• BabyMama Trippin — Young M.A

To dive deeper into these curated collections, head over to Audiomack. Whether you’re sinking into the smooth, melodic flows of Liquid Vibes, catching the undeniable heat of The A-List, or taking a moment for yourself with The Check In, we’ve got your soundtrack covered. Tap in and stay connected.

Atlanta music is a family affair. It’s about the "404" collaborators, producers, and legends who stayed local to go global. It’s the grit of the trap meeting the smoothness of the velvet rope, creating a soundtrack that resonates from the tabernacle to the club.

• TLC: The best-selling American girl group of all time redefined female empowerment with a tomboy-chic aesthetic. Tracks like “Baby-Baby-Baby” and “Case of the Fake People” showcased their ability to blend New Jack Swing with socially conscious lyricism, proving they were always light years ahead of the curve.

• Usher: The undisputed “King of R&B” for the 2000s. His work on 8701 and Confessions, featuring hits like “Can U Help Me” and “Simple Things” solidified Atlanta as the premier destination for R&B stardom. Usher didn’t just top charts; he set the blueprint for the modern male superstar.

• Outkast: Andre 3000 and Big Boi proved “the South had something to say.” Their genre-bending brilliance on tracks like “Stankonia (Stanklove)” and “Vibrate” pushed Hip-Hop into the avant-garde while keeping it rooted in Georgia red dirt, forever changing the genre’s DNA.

• Xscape: Discovered by Jermaine Dupri, these four women brought raw harmonies to the forefront. From the spiritual “Is My Living In Vain” to the sultry “My Little Secret,” they provided the soulful foundation for the “around-the-way girl” aesthetic that defined 90s R&B.

• Summer Walker: The modern torchbearer. Summer represents the new “East Atlanta Love Letter” era. Her vulnerable, lo-fi approach in songs like “Off Of You” and “Unloyal” shows that Atlanta’s R&B remains the most relatable and raw in the game today.

• Janelle Monáe: The “Electric Lady” herself. Through the Wondaland Arts Society, Monáe expanded the city’s borders into Afrofuturism. “BaBopByeYa” and “Sincerely, Jane” are masterclasses in theatrical, genre-defying composition that prove Atlanta’s creativity has no ceiling.

• Childish Gambino: Donald Glover represents the multidisciplinary genius of the city. His shift from sharp lyricism to the psychedelic soul of “Redbone” and the biting social commentary of “This Is America” is pure Atlanta—unpredictable, essential, and intellectually fearless.

From the legends who built the house to the innovators currently remodeling it, Atlanta remains the gravity center of Black music. Whether it’s the acoustic soul of India.Arie or the trap anthems of Jeezy, the city’s heart beats with a rhythm the rest of the world is still trying to catch.

Get into one hundred songs that truly define what Atlanta is to the 404 that some remember from the radio and others that the streets lifted up from the 90s until 2026. Dive into our carefully curated playlist only on YouTube Music.

Goodbye Henry. — RAYE, Al Green

When a modern powerhouse meets a soul architect like Al Green, magic is inevitable. This track is a lush, emotional journey that bridges the gap between generations of rhythm and blues.

Just A Girl — Justine Skye

Justine Skye is in top form here, leaning into a sound that is as effortless as it is ethereal from her new EP, CANDY. It’s the kind of track that reinforces her status as an Pop “it-girl.”

Lose Control — Yeat, Elton John

In perhaps the most unexpected pairing of the year, the experimental energy of Yeat meets the legendary stature of Elton John. It’s a chaotic, fascinating collision that somehow works perfectly.

JET LAGGED — Lava La Rue, Foster The People

A psychedelic, alt-pop dream. Lava La Rue and Foster The People create a hazy, atmospheric soundscape that is tailor-made for late-night drives and artistic contemplation.

Light By The Window — Elmiene, Raphael Saadiq

Pure musicality his latest offering songs for someone is. With Saadiq’s golden touch on production and Elmiene’s soaring, timeless vocals, this track feels like an instant classic in the singer-songwriter canon.

Business & Personal (Intro) — Latto

Latto sets the tone for her latest era with a confident, high-stakes intro. It’s a lesson in flow that reminds the industry why she’s a mainstay on the Hot 100.

Beat Yourself Up — Charlie Puth

Puth continues to prove he’s a pop architect. This track delivers the surgical production and infectious hooks that have become his signature, geared perfectly for heavy radio rotation with new album Whatever’s Clever.

Automatic — Jessie Ware

Ware remains the rising voice of the modern disco-revival. “Automatic” is a sleek, sophisticated groove that feels both nostalgic and firmly ahead of the curve.

• dimelo — LIE NING

• When You Know — Kotrell, Dwin, The Stoic

• Castle On The Moon — MiLES.

• Coming Back To Me — Jordin Sparks

• Pay Me — Juvenile

• Love Himself — MYAH

• To You — BUMJIN

• Hope — Dani Ivory

• Icarus — Olivia O’Brien

• Bruised — Victoria Nadine

• In My Truck — BRELAND

• Someday We’ll All Be Free — Lyyra

• WHERE IS MY HUSBAND! — H3rizon

• 1000x — Delishia J

• Up Out & Gone — NE-YO

• She’s A Sweetheart — Momo Boyd and Infinity Song

• relocate — Tommy Saint

• AGAIN — Noah Guy

• Moon River — Irma

• This Love — Cydnei Chyan

• this girl wants everything — Isaia Huron

• No Chaser — Mike Clark Jr, K CAMP

• So Scandalous — Chikoruss

• RUMORS — Maino

• Rubber Duck — London Hill

• The Ritz — Kamaiyah

• Iced Out — Kennedy Ryon

• Doing That — Young X

• I’m A Star — Genia

• FEELINGS — Central Cee

• Sideways — ZAYN

• Cry In Front Of You — Eric Bellinger

• Drop A Tear — Fivio Foreign, Lil Tjay

• JUNGLE — Flyana Boss

• Flodging — Big Yavo

The culture never stops moving, and neither does the music. To keep these vibrations going, head over to Audiomack to dive into our latest curated collections. From the smooth, melodic flows of 'Liquid Vibes' to the essential new arrivals in 'The Check In' and the undeniable heat of 'The A-List,' we’ve got your weekly soundtrack covered. Tap in and stay connected. Plus hear the latest First On Audiomack weekly hosted by Jzon Azari.

The production credits on CANDY read like a tastemaker’s wish list. We’re talking dual collaborations with KAYTRANADA, rhythmic sorcery from Machinedrum, and a fierce appearance by Baby Tate. The result? A rhythmic fusion of house, funk, and R&B that feels less like a pivot and more like a homecoming.

Staff Picks:

• “Thong”: The KAYTRA-bounce is real on this one. It’s a certified late-night staple.

• “Pop It” (feat. Baby Tate): High-octane energy made for the front-to-back of the function.

• “Yap”: A defiant, percussive track that silenced the noise and cemented her new direction.

Justine has always been a “fearless bridge” for the culture, and with CANDY, she’s leading the charge into a new era of Black dance music. Catch her bringing the heat to Chicago’s Grant Park for her Lollapalooza debut this July. The vibes? Immaculate.

THIS MUSIC MAY CONTAIN HOPE. isn’t just a sophomore album; it’s a 17-track middle finger to the skeptics and a warm embrace for the survivors. Recorded with a 50-piece orchestra and featuring collaborations with her sisters, Amma and Absolutely, the record feels like a fever dream of jazz, big band, and defiant pop.

“Music is medicine,” she says, reflecting on the journey from the “Ice Cream Man” singer to the woman now headlining Radio City Music Hall. “I have faith in the seeds I’ve planted beneath the snow.”

The “seeds” have certainly bloomed. After lighting up arenas across the UK, RAYE is bringing her “Click Clack Symphony” to North America. With a sold-out headline run kicking off in Sacramento and a stadium-sized victory lap with Bruno Mars on the horizon, RAYE isn’t just winning the game—she’s rewritten the rulebook.

Verdict: A landmark 2026 release. 5/5 Stars.

Playing through the first two chapters of Rushing Beat X is an absolute blast. It feels like catching up with an old friend who has spent the last thirty years in the gym. While many modern beat ‘em ups try to reinvent the wheel with overly complex RPG mechanics, Rushing Beat X stays true to its “pick-up-and-play” soul. It is a fun, refreshing escape that manages to harness the gritty essence long-time fans remember while polishing away the clunky edges of the past.

One of the most impressive feats here is the roster. While the classics Rick Norton and Douglas Bild are back, they are joined by four additional characters that make the lineup feel incredibly expansive compared to its peers.

What makes this work is that each character feels mechanically unique. Navigating the game’s neon-soaked shopping malls and grimy subways changes entirely depending on your choice. Whether you’re utilizing the new “Beat Rush” finishers or triggering Rage Mode to clear a screen, the tactical variety keeps the gameplay from ever feeling repetitive.

Don’t let the “retro” label fool you; this is a game for everyone.

• For the newcomers, the new auto-combo support makes this easy and fun for all ages, allowing younger players or genre-newbies to feel like action stars immediately.

• For the veterans, cancelable moves and counterattack mechanics offer a layer of depth that rewards frame-perfect timing.

Despite its mechanical polish, Rushing Beat X does feel a bit “incomplete” in the content department. While the core 9-stage campaign is a punchy, 2-hour joyride, the lack of ancillary modes is noticeable:

For a game with such a technical combat system complete with cancels and parries the omission of a Versus Mode is a glaring misstep. The SNES originals (like The Peace Keepers) famously featured 4-player battle modes; its absence here leaves a competitive itch unscratched. In an era where distance shouldn’t stop a duo, the lack of online co-op feels like a relic of the past that we didn’t need to bring back.

Once the credits roll, you’re left with a Free Play mode for score chasing. Without a “Boss Rush” or “Survival Mode,” the replay value relies entirely on your love for the mechanics rather than new challenges. To truly compete with the giants like Streets of Rage 4 or TMNT: Shredder’s Revenge without losing its Jaleco soul, a few key updates would go a long way.

While the new OST hits hard, the ability to swap to the original 16-bit FM synth tracks would be the ultimate “vintage modern” olive branch to fans. With combo cancels being so essential to high-level play, a dedicated space to practice “Beat Rush” timing and background-throw physics would feel right at home. To add longevity without over-complicating the core, a mode featuring randomized enemy waves and temporary character buffs (mutations) would provide that “good escape” for anyone with a few hours to spare.

If you want a high-quality escape, Rushing Beat X is the answer. It’s a classic with a restored approach that honors its lineage while embracing the power of modern hardware. It isn’t trying to be the next Sifu; it’s happy being a weird, gritty, and deeply satisfying brawler that reminds us why we fell in love with the genre in the first place.

If you have a few hours to spare and want a high-quality escape, Rushing Beat X is the answer. It’s a classic with a restored approach that honors its lineage while embracing the power of modern hardware. Whether you’re playing solo or via local co-op, the vibrant stage design from high-security labs to rain-slicked slums makes every punch feel impactful.

The Bottom Line: Rushing Beat X is a triumphant return for the franchise, successfully bridging the gap between 1992 and 2026 with style, grit, and a whole lot of heart.

Curated by the Sounds Better With Tito’s program, the showcase highlighted the brand’s partnership with Sonic Guild to give independent artists $10,000 grants. It’s a major move for a brand that’s always been synonymous with Austin culture, helping artists like Aaron Page, Bayonne, and Cashier get the bag while they build their fanbases.

Free music, local legends, and a brand actually helping artists pay their bills? That’s a SXSW win.

The business implications were the talk of the three-day event. Governor Gavin Newsom toured the activation on March 15, discussing the intersection of technology and creative labor with YMI CEO Scott Yusuke Sugino. The presence of high-value influencers like Elyse Myers and tech-focused creators like Anjali Gama underscored the platform’s broad appeal across diverse professional verticals.

YMI hit the stage on March 13 for their official panel, Breaking the Sound Barrier. Alongside Output CEO Greg Lehrman, the group tackled the democratization of creativity ensuring that whether you’re a bedroom producer or a touring pro, the barrier to entry is finally coming down.

Whether you’re a veteran who can navigate the St. Francis Folly in your sleep or a newcomer looking for a reason to jump in, this update—and a surprising jump to new platforms—makes today a massive win for fans.

The headline addition is the all-new Challenge Mode, a free patch that transforms the classic trilogy into a customizable gauntlet. This isn’t just a “Hard Mode” toggle; it’s a deep dive into difficulty manipulation. Players can now modify:

• Health and Damage scaling

• Enemy density and behavior

• Resource bonuses

The hook? The higher the difficulty rating you survive, the more you unlock. This adds a “rogue-lite” flavor to the platforming classic, ensuring that no two runs through the Venetian canals or Antarctic mines feel the same.

It wouldn’t be Tomb Raider without a wardrobe change. The update introduces 10 new outfits, but they aren’t just cosmetic. For the first time, these threads come with upgraded abilities:

• Speed Boosts: Run faster through timed traps.

• Deep Diver: Hold your breath longer in those claustrophobic underwater tunnels.

• Combat Buffs: Hit harder to take down the T-Rex with ease.

You’ll need to hunt down 15 new achievements to unlock the full closet, adding some serious meta-game depth to the collection.

In a surprise move, Tomb Raider I-III Remastered has officially launched on the Nintendo Switch 2, alongside a first-ever mobile debut on iOS and Android.

For those moving to the new Nintendo hardware, the upgrades are significant. The Switch 2 version boasts:

• Docked Mode: 1440p resolution at 60 FPS.

• Handheld Mode: A buttery-smooth 1080p at 120 FPS.

Note: Existing owners on the original Nintendo Switch can upgrade to the Switch 2 version for free via a coming-soon update.

To sweeten the deal, the collection is currently listed at $14.99 (50% off) on most platforms for a limited time. If you’re on mobile, you can even download the app and play the first level of each game for free before committing to the full purchase.

Tomb Raider I-III Remastered is available now on PS5, PS4, Xbox Series X|S, Xbox One, Nintendo Switch, Switch 2, PC, iOS, and Android.

The beat ‘em up genre is currently experiencing a massive renaissance, and Rushing Beat X is the latest contender for the throne. Here is a quick look at the features coming to the game on March 19:

• Rage Mode: A new meter-burn system that boosts speed and unlocks finishers.

• The Roster: Six playable heroes (2 classic, 4 brand new).

• Stunning Locales: From the slums and subways to high-tech labs.

• Refined Controls: Modern refinements like auto-combos ensure accessibility without losing the challenge.

With its “cinematic” overhaul and liquid-smooth animations, RUSHING BEAT X looks to be a must-play for fans of Streets of Rage 4 or TMNT: Shredder’s Revenge.

For the PC crowd, the draw here is the “Dynamic Combat” engine. While the game offers auto-combos for casual play, the ceiling for 2-player local co-op looks impressively high. You’ll be able to synchronize combos and mix character styles to optimize your run through the game’s diverse stages. If you’ve been looking for a brawler that rewards frame-perfect timing as much as button-mashing, this is one to wish list immediately.

The highlight for many will undoubtedly be the return of X-Men: The Arcade Game, complete with its legendary 6-player multiplayer—this time optimized for online play. But the “deep cuts” are where this collection shines. Seeing the handheld versions of Arcade’s Revenge alongside the infamously difficult Silver Surfer on NES shows a level of care for gaming history that we rarely see in modern bundles.

For the physical collectors, the standard edition is a must-grab, featuring a foil cover sheet and a retro-style manual that feels like stepping back into 1994.

• X-Men: The Arcade Game: Now with 6-player online co-op.

• Captain America and The Avengers: Includes Arcade, Genesis, and the unique NES platformer.

• Spider-Man/Venom: Maximum Carnage & Separation Anxiety: The complete symbiote saga.

• Spider-Man/X-Men: Arcade’s Revenge: Including the rare Game Boy and Game Gear versions.

• Silver Surfer (NES): The infamously difficult shmup, now manageable thanks to new modern features.

Beyond the games, the Music Player feature allows you to blast those iconic 16-bit chiptune soundtracks, while CRT filters let you recreate that Saturday morning glow on your 4K TV. It’s a super hero-sized helping of history that belongs on every fan’s SSD.

Digital versions drop March 27th, with physical standard edition pre-orders opening the same day.

Sitting at the sweet spot between a basement rave and a late-night confession, “Naked” is a “mellifluous” blend of liquid DnB and cinematic orchestration. But don’t let the danceable BPM fool you—the lyrics are a gut-punch. Grace explores the hollow ache of being desired physically while remaining spiritually invisible.

“It’s the quiet emptiness of lying next to someone and still feeling completely invisible,” Grace says of the track.

Accompanied by a Joel Palmer-directed visual that captures the friction of love, lust, and loneliness, “Naked” proves that Kenya Grace is more than a viral moment—she’s a storyteller with a heartbeat as loud as her basslines.

The track is a beautiful contradiction spare guitar notes melt into intricate beats, mirroring the “push and pull” of wanting to be seen while fearing the burn of connection. It’s the kind of music that hits you in the chest at 2:00 AM. As he gears up for his new EP PATINA, Sage is proving that his “elevated R&B” isn’t just about the vibe it’s about the survival of the spirit.

“To believe in something… is to survive,” Sage croons, reminding us why he’s a favorite for those who like their soul music with a side of existential wonder.

With a sound that Complex describes as “transcending genre boundaries,” Sage is fast becoming the go-to for fans of introspective, boundary-pushing music. Dive into the visualizer and get ready for the PATINA era.